The art of losing isn’t hard to master, Elizabeth Bishop famously declared. And yet, of course, as Bishop knew all too well, the art of losing a beloved life partner is the hardest thing most of us will ever face. In Body and Soul, Panthea Reid struggles to come to terms with the death of her husband, John Irwin Fischer.These two famous literary scholars met and fell in love at Louisiana State University, when Reid was making waves with studies of William Faulkner and Fischer was breaking new ground with his work on Jonathan Swift. Both left first marriages behind, and the story of their early years is fraught with battles over divorce and child custody. The two complemented and protected each other throughout a a long and passionate marriage, taking early retirement and moving to Princeton in order to escape the toxic pressures of academic politics and concentrate on the life of the mind.But Fischer developed lung disease that progressed with horrifying speed, and Reid relates in stark and harrowing detail the course of his final illness. She blames herself for failing to recognize how ill he was, and for accepting without question the assurances of doctors until it was too late. Reid is at her best describing the bleak inner landscape of grief, when she can barely bring herself to face each day, to clean up messes made by the cat or unpack her dead husband’s suitcase.Perhaps nothing can ever really help someone master the art of losing. Yet in writing Body and Soul Panthea Reid accepts the challenge with honesty and bravado. And that, after all, is the essence of both memoir and recovery.